The Art of Olga Praguer Coelho holds a distinguished place in the GuitarCoop catalogue as a historically significant document within Brazilian music and the tradition of voice accompanied by classical guitar.

Born in 1909 in Manaus, Olga Praguer Coelho developed an international career of remarkable scope throughout the 20th century. She performed extensively across Europe and the Americas and spent a significant period of her artistic life in New York. Appointed Ambassador of Brazilian Music, she collaborated closely with Andrés Segovia, who dedicated several voice-and-guitar arrangements to her and contributed to the further refinement of her instrumental technique.

This album brings together recordings from different stages of her career, offering a representative overview of her artistry as both singer and self-accompanying guitarist — a rare combination within the classical guitar field. The repertoire mirrors the eclectic programming of her recitals, encompassing Brazilian works, Hispanic-American songs, and European repertoire from the 18th centuriy, including music by Heitor Villa-Lobos, Manuel de Falla, and Alessandro Scarlatti, as well as arrangements by Segovia.

By presenting carefully restored historical recordings, many unavailable for decades, this release contributes to the preservation and renewed recognition of an artist whose international presence played a significant role in projecting Brazilian music onto the world stage.

With this edition, GuitarCoop reinforces its commitment to documenting, preserving, and disseminating the artistic legacy of the classical guitar and its leading figures.

Tracklist

  • 01 — POPULAR BRAZILIAN MOTIF, A Mosca na Moça 3’06”
  • 02 — POPULAR BRAZILIAN MOTIF (adapted by Olga P. Coelho), Virgem do Rosário 2’17”
  • 03 — OLGA P. COELHO; GASPAR COELHO, Cantiga Ingênua 3’02”
  • 04 — OLGA P. COELHO; EDUARDO TORINHO, Bahiana 2’31”
  • 05 — POPULAR BRAZILIAN MELODY (adapted by Olga P. Coelho), Róseas Flores 2’38”
  • 06 — TRADITIONAL COLOMBIAN SONG (arr. Jorge Añez), Agáchate el Sombrerito 2’39”
  • 07 — TRADITIONAL MEXICAN SONG, La Cucaracha [with introduction] 3’06”
  • 08 — TRADITIONAL SPANISH SONG (arr. Andrés Segovia), Canción Andaluza 2’15”
  • 09 — MANUEL DE FALLA (arr. Andrés Segovia), Asturiana 2’08”
  • 10 — MANUEL DE FALLA (arr. Andrés Segovia), Nana 1’39”
  • 11 — FOLKLORIC BRAZILIAN SONG, O Rei Mandou me Chamá 1’39”
  • 12 — JOSÉ CARLOS BURLE, Meu Limão, Meu Limoeiro [with introduction] 3’17”
  • 13 — HEKEL TAVARES, Danҫa do Caboclo 1’02”
  • 14 — FRANCISCO AMOR, La Mulita [with introduction] 4’16”
  • 15 — MARIE ANTOINETTE; CLARIS DE FLORIAN (arr. Andrés Segovia), C’est Mon Ami 3’44”
  • 16 — PEDRO DE ESCOBAR (arr. Andrés Segovia), Ojos Morenicos (Spanish Renaissance villancico) 2’03”
  • 17 — ALESSANDRO SCARLATTI (arr. Andrés Segovia), Se Florindo è Fedele 2’18”
  • 18 — POPULAR BRAZILIAN SONG, Casinha Pequenina 3’36”
  • 19 — HEKEL TAVARES; MURILO ARAÚJO, Banzo 3’16”
  • 20 — JAIME OVALLE, Azulão 1’44”
  • 21 — BRASILIO ITIBERÊ, Cordão de Prata 2’02”
  • 22 — TRADITIONAL BRAZILIAN CHANT, Xangô 3’58”
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Credits
Text, research, song notes, translations into PortugueseMiguel Praguer Coelho
Research, photos, biographical sketch and textJack Silver
Editing and masteringSergio Abreu & Ricardo Marui
Audio restorationThiago Abdalla & Ricardo Marui
Research and image restorationSheila Shapira-Cortez
Disc cleaningBen Scarcelli (Audio Basics)
Phonogram loans from his collectionRobert Trenholm
Graphic projectRicardo Dias
LayoutEduardo Sardinha & Patricia Millan
Portuguese proofreadingJanaina Rossi Moreira
English text revisionEva Gulla
Photo creditsCBS publicity photo, New York, c. 1953 / Published in Guitar Review / Sergio Abreu / Dr John Richter / Ann and Eli Kassner
AcknowledgementsDigital copies of Brazilian 78 RPM recordings by Olga P. Coelho: A Mosca na Moça, Virgem do Rosário, Bahiana, Cantiga Ingênua, Instituto Moreira Salles / Humberto Franceschi Collection.

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