In Impressions, the acclaimed Duo Siqueira Lima further establishes its international standing with a program for two guitars that combines artistic rigor, interpretative sensitivity, and stylistic breadth.

Designed as a musical journey beyond chronological boundaries, the repertoire creates dialogues between distinct traditions and compositional languages, highlighting the timbral richness and chamber interplay of the duo. Claude Debussy’s Arabesques reveal the natural affinity between French Impressionism and the guitar’s tonal palette, shaped with refined dynamic nuance.

Felix Mendelssohn’s Songs Without Words gain renewed lyricism in the duo setting, marked by balanced voicing and carefully crafted phrasing. Excerpts from Mario Castelnuovo-Tedesco’s Les Guitares bien tempérées demonstrate contrapuntal clarity and technical maturity, reflecting the ensemble’s precision and cohesion.

The Spanish tradition is represented through works by Ernesto Halffter and Federico Moreno Torroba, highlighting the evocative and idiomatic qualities of the 20th-century guitar repertoire. The program concludes with Pyotr Ilyich Tchaikovsky’s Six Pieces, Op. 19, whose intimate character acquires new color and depth in transcription.

With Impressions, technical excellence and expressive refinement converge in performances of structural clarity and tonal richness, reinforcing Duo Siqueira Lima’s position as a leading reference in the repertoire for two guitars and reflecting GuitarCoop’s commitment to artistic excellence and cultural distinction.

Tracklist

  • 01 — CLAUDE DEBUSSY (arr. Fernando de Lima), Arabesque No.1 4’19”
  • 02 — CLAUDE DEBUSSY (arr. Fernando de Lima), Arabesque No.2 3’49”
  • 03 — FELIX MENDELSSOHN (arr. Fernando de Lima), Songs Without Words op.53 No.2 2’38”
  • 04 — FELIX MENDELSSOHN (arr. Fernando de Lima), Songs Without Words op.30 No.2 2’08”
  • 05 — MARIO CASTELNUOVO-TEDESCO, The Well-Tempered Guitars: Prelude and Fugue in C Major No.12 3’03”
  • 06 — MARIO CASTELNUOVO-TEDESCO, The Well-Tempered Guitars: Prelude and Fugue in E Major No.4 4’21”
  • 07 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: Bailando un Fandango Charro 1’47”
  • 08 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: Remanso 3’01”
  • 09 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: La Siega 1’30”
  • 10 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: Fiesta en el Pueblo 1’33”
  • 11 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: Amanecer 1’45”
  • 12 — FEDERICO MORENO TORROBA (arr. Fernando de Lima), Estampas: La Boda 2’28”
  • 13 — ERNESTO HALFFTER (arr. Fernando de Lima), Danza de la Pastora 3’41”
  • 14 — ERNESTO HALFFTER (arr. Fernando de Lima), Danza de la Gitana 4’04”
  • 15 — PYOTR ILYICH TCHAIKOVSKY (arr. Fernando de Lima), Six Pieces Op.19: Rêverie du soir No.1 4’09”
  • 16 — PYOTR ILYICH TCHAIKOVSKY (arr. Fernando de Lima), Six Pieces Op.19: Nocturne No.4 3’16”

Total duration: 47min41s

Listen on streaming
Credits
Recorded inSão Paulo, Brazil, in February 2019
Sound EngineeringRicardo Marui
Musical ProductionHenrique Caldas
EditingHenrique Caldas / Duo Siqueira Lima
MixingRicardo Marui
MasteringRicardo Marui — Pinus Studio
TextFabio Zanon
Graphic DesignEduardo Sardinha
PhotosLuis Gaioto
Electronic PublishingPatricia Millan
GuitarsSérgio Abreu (Cecilia Siqueira 2013, Fernando de Lima 2014)
StringsAugustine Regals Blue
MicrophonesRoyer SF-24, DPA 2006
Recording SystemMetric Halo LIO-8
PreamplifierMillenia HV-3D
CablesVan den Hull D-102
Dedication“This album is dedicated to the memory of my beloved father, Julio Siqueira. My first guitar teacher, to whom I owe my passion for the instrument and for music. His light continues to guide, inspire and bless me always. I thank God for his life and for the eternal love that binds us.” Cecilia Siqueira
AcknowledgementsRaquel Franco, Fábio Zanon, Ricardo Marui, Ricardo Dias, Sergio Abreu, Marcelo Kayath, Henrique Caldas and Thiago Abdalla

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