Vento Brando

João Camarero called me:
– I need to talk to you, serious stuff.
– Ok, anytime.
– Let’s have lunch tomorrow?

A few years ago the guitar people “alerted” me:
– Have you seen this boy from Avaré?
– Have you heard Camareiro?
(yes, it sounded like it had an i)
– There’s a guy there who plays a lot, you have to know him!
A friend, annoyingly famous, who does not like anything or anyone, told me the same. Another, even more annoying, impressed with the dexterity and beauty of the sound.

– Man, I’m going to record a new album.
– You do very well, the first is spectacular.
– But I want you to produce this!

A great friend told me of a student:
– You need to meet, the guy is incredible!
– Why is he taking classes for?
– He’s not satisfied with his technique, he wants to clean it, get it improved.
– Must be crazy.

– Are you out of your mind? My business is strictly classic, I will disturb you more than help! –
– But I want a more classic look, indeed!
– What if I “plaster” you? – In this respect, my folly; João is impossible to “plaster”.

Then I met him. They took that phenomenon to my house, and the least I can say is that no one had lied. The guy was good. Very good. Amazingly good!

– Okay, I will produce it, but my business is sheet music!
– No, none of it, you’re going to put your ear to work.
– I’m going to mess up …

From the visit came others, from others came lunches, dinners, cafes, cigars, music reunions, concerts, recitals… And the guy always impressed me, he was never satisfied, a search not for formal perfection, usually a boring thing: but the search for a ideal of sound, to spend hours with the music already mastered for a phrasing, clearing a passage with imperfections that only he heard, an incessant and almost insane search.

I did not get in the way. In the studio, the presence of his friend and partner, João Lyra, was almost scary: the man understood EVERYTHING about recording. In the soundcheck a loose, relaxed thing; the warning light would turn on and the man would play beautifully, practically all at first. The other guest, Lucas Arantes, came from São Paulo for this recording. He arrived, opened the case, took out his cavaquinho, tuned it, made a perfect take, and left. In the engineering, Gil Costa, a virtuoso. That way I could not even get in the way!

And the record was ready. Very proud to hear it, but pride without vanity: I did nothing, my interference was minimal. But I am proud to have witnessed a serious, honest, dedicated work of love and especially respect for music. To have my name associated with a wonderful CD, a virtuoso, an exceptional guitarist, an exceptional musician, but especially a dear friend, a good guy. An ace!

Ricardo Dias


Entrevista João Camarero
por Ricardo Dias

YouTube video

Produced by GuitarCoop
Images: Eduardo Sardinha
Audio: Alexandre Hang
Edition: Thiago Abdalla
Translator: David Molina
Soundtrack: O maestro na farra – João Camarero
Location: Casa do Choro (Rio de Janeiro/BR)
Date: Fev 18th 2018

Choro (da Brasiliana nº13)
Composer by Radamés Gnattali

YouTube video

Produced by GuitarCoop
Guitar: João Camarero
Composer: Radamés Gnattali
Images / Editing: Eduardo Sardinha
Sound engineering: Gil Costa
Editing and mixing engineering: Ricardo Marui
Date: February/2019
Location: Casa do Choro – Rio de Janeiro


1. Tocata em Ritmo de Samba / 3:24 Radamés Gnattali

2. Choro (da Brasiliana no13) / 1:57 Radamés Gnattali

3. Valsa nº3 / 4:09 Augustín Barrios

4. Inspiração / 3:02 Aníbal Augusto Sardinha ‘Garoto’

5. Enigma / 3:20 Aníbal Augusto Sardinha ‘Garoto’

6. Paulistano / 2:19 Rafael Mallmith e João Camarero

7. Vento Brando / 5:29 João Camarero e Cristovão Bastos

8. Makarasu / 6:50 João Lyra Participação de João Lyra (violão)

9. Quadradinho / 3:01 Canhoto da Paraíba
Participação de João Lyra (violão) e Lucas Arantes (cavaquinho)

10. O Maestro na Farra / 1:57 João Camarero

11. Camará / 4:40 Raphael Rabello e Paulo César Pinheiro

Credits – Vento Brando

Created by GuitarCoop
Recorded at: Estúdio Bagual, Rio de Janeiro, Brazil, March 2018
Sound EngineerGil Costa
Produced by: Ricardo Dias
Digital editing: Gil Costa
Mixing: Ricardo Marui
Mastering: Ricardo Marui
Booklet notes: Ricardo Dias e Lucas Nobile
Graphic Design: Marcela Bartz
Photos: Daniel Capu
Guitars: Ricardo Dias 2005 and Obana Shigeo 2015
Strings: Augustine Regal/Blue
Microphones: Sennheiser EMI 184
Recording System: Universal Audio Apollo 16
Preamplifier: Neve 1073 dpx
Cables: Mogami

Acknowledgements: Ricardo Dias, Vicente Paschoal, Fabio Zanon, Gil Costa, Daniel Capu, Artur Padua, Yuri Reis, João Lyra, Lucas Arantes and Bozó.

Specially to: Yamandu Costa, Elodie Bouny, Marcela Bartz and Sergio Abreu.

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